Crow
The Art of Lie challenges the idea of the three wise monkeys, who embody the proverb “see no evil, hear no evil, speak no evil”.
The proverb suggests that if one avoids knowledge of wrongdoing, they are not morally culpable. The monkeys embody this idea by physically preventing themselves from experiencing evil. By closing their eyes, ears, and mouth, they ensure their innocence.
The artwork depicts three monkeys with their eyes, ears, and mouths sewn shut. However, their expressions convey a sense of unease and awareness that suggests they are not truly blind, deaf, or silent. This dissonance disrupts the simplistic message of the proverb.
The artwork critiques the idea that ignorance absolves one of wrongdoing. Simply avoiding knowledge of evil is not enough. The monkeys’ expressions imply that they are aware of the evil that surrounds them, even if they pretend not to be. This suggests that we all have a responsibility to confront evil, even if it is uncomfortable.
The title of the work, “The Art of Lie”, is another layer of complexity. It suggests that the act of turning a blind eye to evil is itself a lie.
CROW, a German artist born in 1970, has established himself as a multifaceted creative force with a distinguished career spanning music, visual contemporary art, and photography. Initially recognized as a musician, CROW embarked on extensive tours across various countries before redirecting his artistic focus entirely towards the realm of visual expression. Relocating to dynamic cultural hubs such as Shanghai and Tokyo, he immersed himself in the rich tapestry of the Asian art scene.
During his time in China, CROW forged a significant connection with THE GHAO BROTHERS, artists whose provocative works resonate with profound political and social commentary. This encounter not only fostered a deep friendship but also served as a catalyst for artistic exploration and collaboration.
In 2020, CROW returned to Germany, settling in Bamberg, where he established his studio. Drawing from his experiences in Asia, he delved into creating large-scale paintings, drawings, and installations that grapple with the complexities of the human condition. One notable series, “BUTOH: Learning to See with the Body,” finds inspiration in the enigmatic performances of Butoh dancers. Through his artwork, CROW captures fleeting moments of raw emotion, transcending the confines of traditional dance and imbuing his pieces with a palpable sense of immediacy.
CROW’s artistic style is characterized by a harmonious interplay of figurative elements and precise lines, which lend his works a striking three-dimensional quality. This technique extends to his photography, seamlessly integrating into his mixed media compositions, where hidden narratives emerge to form captivating visual narratives.
His installations serve as a poignant exploration of human evolution and our contemporary existence, inviting viewers to contemplate humanity’s tenuous relationship with nature and the urgent need for environmental stewardship.
In addition to his visual endeavors, CROW is also known for his captivating multimedia performances, weaving together original poetry, music, and spontaneous improvisation to create immersive artistic experiences.
CROW’s works grace the collections of numerous private collectors and museums, attesting to the enduring impact of his artistic vision on audiences worldwide.
- April 18, 2024
