Two figures overlap, almost merging, while their faces remain without identifying features. In Bugre, this absence takes on a particular meaning: it evokes an Indigenous person displaced from their references of belonging, whose origins, culture, and connection to a specific community have been erased or fragmented. The forms and graphic elements crossing the composition suggest traces of a memory that persists. The work presents the body as the territory of a disrupted cultural identity, yet one that has not been entirely erased.
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