Claudia Cristina Velasco
Claudia Cristina Velasco is a multidisciplinary artist born in León, Guanajuato, whose practice stands at the intersection of visual form and metaphysical inquiry. A painter, sculptor, and draftsman, she articulates her work as a journey toward the intangible, capturing ephemeral vibrations that hover between presence and absence. Her canvases, often described as “eco-soul paintings,” function as meditative thresholds—spaces where colors, textures, and transparencies crystallize fleeting energies and invite viewers into a state of inner resonance.
Her methodology resists rigid structures, allowing materials and processes to generate unexpected revelations. “When I paint, I become a spectator of what emerges,” she affirms, positioning creation as both revelation and lived meditation. This approach reflects her eclectic background, combining academic training in Fine Arts, Design, and Sculpture in Switzerland, Italy, Mexico, and the United States with philosophical inquiry, meditation, Kriya Yoga, and Visionary Intuitive Healing. The result is an artistic vocabulary that fuses technical mastery with intuition, structure with fluidity.
Velasco’s trajectory is distinctly international. She has exhibited across Asia, Europe, the Americas, and the Middle East, with highlights including Art Shopping at the Carrousel du Louvre, Paris (2019), Art Muc, Munich (2019), the Shanghai International Art Fair (2019), London Art Biennale (2021), Central Station Exhibition, Hong Kong (2021), Tokyo Art Exhibition (2021), Art Expo New York (2023), and presentations with Parcus Gallery in Germany and Austria. Her projects also include major presentations in Mexico, such as Torre 40 Lumiere in León (2020) and the Ficciones Eternas Pop-Up in Mexico City (2024).
Rooted in both cosmopolitan exploration and personal metaphysics, Velasco’s art navigates between figuration and abstraction, between recognizable form and dissolving energy. Rather than aligning with a single school or movement, her practice remains deliberately plural—drawing equally from industrial design, philosophy, and spiritual inquiry. In doing so, she contributes to a global dialogue about interconnectedness, transcendence, and the search for meaning. Ultimately, her paintings are less representations than experiences: suspended moments where energy becomes visible, and the familiar dissolves into the infinite.
- 21/08/2025